Banjos handmade in the UK
Heirloom quality instruments hand crafted for the finest in tone and playability
Handmade Banjos
All my banjos are handmade at my workshop in rural Shropshire, every part of the process from start to finish is done in house by me, from the selecting and seasoning of the wood, the building and shaping of rim and neck through to the setting up of the finished banjo, much of the hardware I use is also produced here in the workshop.
Banjo Models
Drawing on 13 years of working professionally on banjos, from studying and measuring old instruments during restoration work to custom builds.
My aim is to build instruments with great tone and playability, that are as well made and thought out as anything that you can find in the states or anywhere else, and that unlike most things in this age of planned obsolescence and throw away culture, will, with a bit of care and love last a lifetime, or two.
Banjo Models
All my banjos are handmade at my workshop in rural Shropshire, every part of the process from start to finish is done in house by me, from the selecting and seasoning of the wood, the building and shaping of rim and neck through to the setting up of the finished banjo, much of the hardware I use is also produced here in the workshop.
Deep Rim
Tubaphone
Ebony
Dobson
Customer Testimonials
Frequently Asked Questions
Completion time for pre-order banjos obviously varies depending on where I am with my wait-list and current builds - please use the form to inquire about current lead times.
No, I'm now only building the models shown on the website, as they are shown, also occasional “Special editions” which will be available through the banjos for sale page.
The models are available with different wood choices and with either Style One or Style Two appointments beyond that I don't offer any further customisations.
Yes, please do. I am always happy to repair my own instruments.
I should have a limited selection of instruments at the workshop that can be played, please bear in mind though that I am limited on how much time I can take away from the workbench.
To adjust the banjo's action, you can either raise or lower the bridge or make truss rod adjustments, but it's best to consult a professional for proper guidance.
If your instrument arrives, you play it and you decide for whatever reason its not what your after, its no problem if you want to send it back to me for a full refund.
Obviously the instrument must still be in the condition it arrived in when I receive it back please re-package it the way it was sent.
The instrument is your responsibility until it arrives here and you are liable for any damage it receives while with you, or in transit. For that reason I would recommend getting it insured for the return delivery.
Most delivery companies have a clause in their insurance small print saying musical instruments are not covered, UPS are an exception to this though it is worth emailing them to get confirmation of this before sending to ensure it is still current, otherwise it is possible to take out separate insurance.
The tuners used as standard on instruments with Raw brass hardware are Gotoh Brass planetary tuners, on instruments with Nickel plated hardware they are unbranded south korean planetary tuners with black buttons.
Yes that's no problem, If you select Cyclones when you order an instrument please let me know by email which buttons you want - Box wood - Ebony - Galalith Ivory.
I don't keep them in stock so they may delay an instrument that's ordered from stock, the price listed is inclusive of carriage, VAT and customs charges.
All the specs for the models can be found on the Five string banjo and Tenor banjo pages
No, I'm sorry the runs of inlays are limited to the instruments produced in a given year, and once they are done they are done.
This is very subjective, people who like them feel that they sound better, I personally prefer them, when I was doing the videos for the Dobson recently was the first time I've spent much time playing a synthetic head for any length of time, and I really noticed the difference, whether I can put that very well into words is another thing.... a renaissance to me sounds brighter, on the other hand its not really that a skin doesn't sound bright if its on tight... its just a different type of brightness, maybe not quite as sharp and punchy. That being said I'm personally not so keen on fybre skyns because to me they sound a bit dead (though I think some banjos and players sound amazing with them) skin heads are lively and responsive, just in a slightly different way to a renaissance, and completely different to the bright/brash sound of a frosted head which can be amazing if its what your after,.
Some people prefer them a bit slack which can give you a really swampy funky kind of sound especially with say a fretless. They also look pretty cool if you like the look.
The cons are easier to describe, they aren't as stable, which some people really hate, I've used them for years and have never had that much of a problem, that being said I like a high action on my own banjos because I feel it plays and sounds better, and is worth the extra effort, so if its a humid day and the head slackens I might not notice too much, If I had a low action on the other hand, the banjo might on an extremely humid day become too slack to play.
You can obviously change the bridge or give it a blast with a hairdryer which works well, though I've very rarely felt the need, I wax my heads when I stretch them which makes a big difference in stability, but its not 100% humidity proof like a synthetic.
They can also in theory on a very dry day get way too tight and pop, again that isn't something that's ever happened to me, I once spent a very hot day at a festival on a stall full of banjos waiting for them all to explode but none of them did.I have also taken my pony banjo to rain forests in Australia and countless nights sleeping in the spray haze on beaches with no issues.Another thing I also find they don't last me personally as long as a synthetic and I usually end up replacing them between 2 - 6 years depending on the skin and level of punishment.
I set up all the instruments with Newtone phosphor hex core strings,
If you are a fan of light strings and low actions please do take into account that the scale lengths I use for five strings is 25.4” this is shorter than the mastertone scale length (26 ¼) found on the vast majority of five string banjos in the world and therefore the strings are slacker so feel lighter anyway, and If you ask for a low action it really will be low (2-2.5mm at the 12th).
The usual idea is that the harder the wood the brighter the tone, so Maple is a brighter sounding wood and Cherry is a mellower warmer tone, my personal feeling is that possibly it does change the tone, but, I am pretty sure that there are many other factors that change the tone far more, - head tightness - head material - tone ring - thickness of rim - weight of bridge - string gauge - string height - use of a mute under the head.
So I would say go with the wood that appeals the most to you visually and get the tone you want with the other elements.
The woods I use are FSC certificated, The Forest Stewardship Council (FSC) certifies forests to ensure their environments are responsibly managed and meet the highest environmental and social standards. According to the FSC: FSC certified forests must be managed to the highest environmental, social and economic standards.
Richlite is a composite material made from recycled paper and phenolic resin/cellulose, many guitar manufacturers such as martin and gibson use it as a more sustainable alternative to ebony.
It has a slightly different feel to wood, but feels nice as a fingerboard and looks quite striking.
Fretted five string banjos intended for use with steel strings come with a compensated moon bridge.
Tenor banjos come with a straight maple and ebony bridge
Fretless banjos intended for steel strings come with a straight maple and ebony bridge.
Banjos intended for use with nylon or gut strings come with an uncapped cherry bridge.
Five string banjos 31mm
Tenor banjos 29mm
No it is not a true rosewood and does not come under the same CITIES restrictions, It does look and feel alot like rosewood though can range to a bit more orangey colours.
No I no longer take repair work on as I don't have time, for banjo repairs I would recommend getting in touch with John Deller - https://www.flatfootjohnny.com/
No
Spikes and capos are on offer for five string instruments
By lowering the bridge.
The truss rod is located in the heel, and the neck must be removed to get to it, The truss rod is there to add stiffness to the neck and as a fail safe if the neck warps.
Loosen the head, or try a heavier bridge
Change the strings if they are dead or Tighten the head
Because in my opinion it sounds and plays great. If you are changing from a 26 ¼ neck I would recommend upping your string gauge if you use light strings to Medium, and if you normally use mediums and find them too light on a 25.4 scale I would recommend trying a custom set thats slightly heavier, I personally like 11-12-16-24-12 (I have a fifth string Capo and tune my fifth to E, if I was tuning to G I would use an 11)
Yes, please contact me for delivery prices, You may have to pay taxes when the instrument reaches your country, please look into this before ordering.
Banjo Collection
Explore my range of handcrafted banjos made in the UK.